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42 Reseñas   •  English   •   Art & Photography (Art)
We feature no fewer than four British-based choreographers in this month’s issue of Dancing Times, three of whom are celebrating significant anniversaries. David Bintley has been leading Birmingham Royal Ballet for 20 years, and he talks openly about his work as a choreographer and director to Paul Arrowsmith. Robert Cohan, who was instrumental in establishing contemporary dance in the UK, will be 90 this month and he discusses his career and current projects with Zoë Anderson. Also celebrating a significant birthday this month is Michael Corder, who expresses his concerns at the way choreography for classical ballet is heading with admirable frankness. Last but not least, Kenneth Tindall, a young dance maker based with Northern Ballet, writes about combining his career as a dancer and choreographer in Talking Point. We also highlight Dance UK’s forthcoming conference on the future of dance, and announce the winners of the 2014 Critics’ Circle National Dance Awards. Lastly, I would like to extend congratulations to our production editor, Simon Oliver, who married his fiancée, Rachael, on St Valentine’s Day. All at Dancing Times hope they have many happy years ahead of them.
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Dancing Times

March 2015 We feature no fewer than four British-based choreographers in this month’s issue of Dancing Times, three of whom are celebrating significant anniversaries. David Bintley has been leading Birmingham Royal Ballet for 20 years, and he talks openly about his work as a choreographer and director to Paul Arrowsmith. Robert Cohan, who was instrumental in establishing contemporary dance in the UK, will be 90 this month and he discusses his career and current projects with Zoë Anderson. Also celebrating a significant birthday this month is Michael Corder, who expresses his concerns at the way choreography for classical ballet is heading with admirable frankness. Last but not least, Kenneth Tindall, a young dance maker based with Northern Ballet, writes about combining his career as a dancer and choreographer in Talking Point. We also highlight Dance UK’s forthcoming conference on the future of dance, and announce the winners of the 2014 Critics’ Circle National Dance Awards. Lastly, I would like to extend congratulations to our production editor, Simon Oliver, who married his fiancée, Rachael, on St Valentine’s Day. All at Dancing Times hope they have many happy years ahead of them.


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Dancing Times  |  March 2015  


We feature no fewer than four British-based choreographers in this month’s issue of Dancing Times, three of whom are celebrating significant anniversaries. David Bintley has been leading Birmingham Royal Ballet for 20 years, and he talks openly about his work as a choreographer and director to Paul Arrowsmith. Robert Cohan, who was instrumental in establishing contemporary dance in the UK, will be 90 this month and he discusses his career and current projects with Zoë Anderson. Also celebrating a significant birthday this month is Michael Corder, who expresses his concerns at the way choreography for classical ballet is heading with admirable frankness. Last but not least, Kenneth Tindall, a young dance maker based with Northern Ballet, writes about combining his career as a dancer and choreographer in Talking Point. We also highlight Dance UK’s forthcoming conference on the future of dance, and announce the winners of the 2014 Critics’ Circle National Dance Awards. Lastly, I would like to extend congratulations to our production editor, Simon Oliver, who married his fiancée, Rachael, on St Valentine’s Day. All at Dancing Times hope they have many happy years ahead of them.
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Dancing Times is Britain’s leading dance monthly. Dedicated to dance since 1910, every issue of Dancing Times is packed with news, reviews and features on ballet, contemporary dance and musical theatre, as well as interviews with dance stars, health and education features, study supplements and our Into Dance section for younger readers.

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I think more contemporary dance reviews and dance artists from this discipline are missing. I love the magazine, it only seems to cover mainly ballet and ballroom. Revisado 15 agosto 2020

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