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With the summer coming to an end, we start to think about the new autumn dance season, with theatres and companies reopening right across the country. In this month’s Dancing Times, we take the focus away from London for a closer look at Birmingham, the UK’s second city, which has a distinct dance scene all of its own. Gerald Dowler talks to both Carlos Acosta and Caroline Miller of Birmingham Royal Ballet to find out their plans for the company. In addition, David Mead interviews choreographer Rosie Kay about her new, Birmingham-based version of Romeo and Juliet which opens at Birmingham Hippodrome on September 8. We also travel to Glasgow, via Hollywood and Paris, to learn more about Scottish Ballet’s revival of a work by the great Gene Kelly, and then on to Leamington Spa in Talking Point to hear from Motionhouse’s Kevin Finnan about the company’s new work, Nobody.
Like many of our readers, I will be returning to my adult dance class later this month. As normal life appears to be resuming again, from next month we are planning the return of our extensive UK dance class listings. If you would like us to include your school, or for us to update any previous listings from before the pandemic, please let us know by emailing editorial@dancing-times.co.uk.
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Dancing Times

September 2021 With the summer coming to an end, we start to think about the new autumn dance season, with theatres and companies reopening right across the country. In this month’s Dancing Times, we take the focus away from London for a closer look at Birmingham, the UK’s second city, which has a distinct dance scene all of its own. Gerald Dowler talks to both Carlos Acosta and Caroline Miller of Birmingham Royal Ballet to find out their plans for the company. In addition, David Mead interviews choreographer Rosie Kay about her new, Birmingham-based version of Romeo and Juliet which opens at Birmingham Hippodrome on September 8. We also travel to Glasgow, via Hollywood and Paris, to learn more about Scottish Ballet’s revival of a work by the great Gene Kelly, and then on to Leamington Spa in Talking Point to hear from Motionhouse’s Kevin Finnan about the company’s new work, Nobody. Like many of our readers, I will be returning to my adult dance class later this month. As normal life appears to be resuming again, from next month we are planning the return of our extensive UK dance class listings. If you would like us to include your school, or for us to update any previous listings from before the pandemic, please let us know by emailing editorial@dancing-times.co.uk.


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Dancing Times  |  September 2021  


With the summer coming to an end, we start to think about the new autumn dance season, with theatres and companies reopening right across the country. In this month’s Dancing Times, we take the focus away from London for a closer look at Birmingham, the UK’s second city, which has a distinct dance scene all of its own. Gerald Dowler talks to both Carlos Acosta and Caroline Miller of Birmingham Royal Ballet to find out their plans for the company. In addition, David Mead interviews choreographer Rosie Kay about her new, Birmingham-based version of Romeo and Juliet which opens at Birmingham Hippodrome on September 8. We also travel to Glasgow, via Hollywood and Paris, to learn more about Scottish Ballet’s revival of a work by the great Gene Kelly, and then on to Leamington Spa in Talking Point to hear from Motionhouse’s Kevin Finnan about the company’s new work, Nobody.
Like many of our readers, I will be returning to my adult dance class later this month. As normal life appears to be resuming again, from next month we are planning the return of our extensive UK dance class listings. If you would like us to include your school, or for us to update any previous listings from before the pandemic, please let us know by emailing editorial@dancing-times.co.uk.
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Dancing Times is Britain’s leading dance monthly. Dedicated to dance since 1910, every issue of Dancing Times is packed with news, reviews and features on ballet, contemporary dance and musical theatre, as well as interviews with dance stars, health and education features, study supplements and our Into Dance section for younger readers.

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I think more contemporary dance reviews and dance artists from this discipline are missing. I love the magazine, it only seems to cover mainly ballet and ballroom. Revisado 15 agosto 2020

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