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Electronic Sound Magazine Issue 55 Edição anterior

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We couldn’t let the 50th anniversary of the moment the first human stepped foot on the Moon go by without comment. Our little rocky satellite is about 4.5 billion years old, so it’s no wonder it holds us in its thrall.

The Moon belongs to us all. There’s even an international treaty, the Outer Space Treaty, signed in Janaury 1967, that says so, and commits the nations of the world to only using the Moon for peaceful purposes. It prohibits the placing of nuclear weapons there. It’s a treaty that recognises that the Moon somehow embodies hope for mankind, that the Moon is a physical embodiment of the benign and peaceful counterbalance to humanity’s impulsive id. And so visiting the Moon, with all the effort and co-operation and awe-inspiring organisational skill and technology it took, represents the best of humanity.

Which is why Hannah Peel and Clint Mansell get cosmic and talk to us about the influence of the Moon on their work. We get the inside story on the making of the astounding new documentary ‘Apollo 11’ from its director and the composer of the score, while author Andrew Smith waxes lyrical about his own relationship with the Moon and the music of the era as his must-read book ‘Moondust’ is published in an updated edition.

There are plenty of other heavenly bodies orbiting the pages for you to gaze at, like the preview of Buried Treasure’s Delaware Road festival, The Orb’s Alex Paterson telling us how he made ‘Little Fluffy Clouds’, Clark on his influences, the story of Dutch Beatles sonic cloners The Analogues, Ian Boddy of classy electronic label DiN, newcomers WH Lung and much more. Ready your telescopes!
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Electronic Sound

Issue 55 We couldn’t let the 50th anniversary of the moment the first human stepped foot on the Moon go by without comment. Our little rocky satellite is about 4.5 billion years old, so it’s no wonder it holds us in its thrall. The Moon belongs to us all. There’s even an international treaty, the Outer Space Treaty, signed in Janaury 1967, that says so, and commits the nations of the world to only using the Moon for peaceful purposes. It prohibits the placing of nuclear weapons there. It’s a treaty that recognises that the Moon somehow embodies hope for mankind, that the Moon is a physical embodiment of the benign and peaceful counterbalance to humanity’s impulsive id. And so visiting the Moon, with all the effort and co-operation and awe-inspiring organisational skill and technology it took, represents the best of humanity. Which is why Hannah Peel and Clint Mansell get cosmic and talk to us about the influence of the Moon on their work. We get the inside story on the making of the astounding new documentary ‘Apollo 11’ from its director and the composer of the score, while author Andrew Smith waxes lyrical about his own relationship with the Moon and the music of the era as his must-read book ‘Moondust’ is published in an updated edition. There are plenty of other heavenly bodies orbiting the pages for you to gaze at, like the preview of Buried Treasure’s Delaware Road festival, The Orb’s Alex Paterson telling us how he made ‘Little Fluffy Clouds’, Clark on his influences, the story of Dutch Beatles sonic cloners The Analogues, Ian Boddy of classy electronic label DiN, newcomers WH Lung and much more. Ready your telescopes!


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Electronic Sound  |  Issue 55  


We couldn’t let the 50th anniversary of the moment the first human stepped foot on the Moon go by without comment. Our little rocky satellite is about 4.5 billion years old, so it’s no wonder it holds us in its thrall.

The Moon belongs to us all. There’s even an international treaty, the Outer Space Treaty, signed in Janaury 1967, that says so, and commits the nations of the world to only using the Moon for peaceful purposes. It prohibits the placing of nuclear weapons there. It’s a treaty that recognises that the Moon somehow embodies hope for mankind, that the Moon is a physical embodiment of the benign and peaceful counterbalance to humanity’s impulsive id. And so visiting the Moon, with all the effort and co-operation and awe-inspiring organisational skill and technology it took, represents the best of humanity.

Which is why Hannah Peel and Clint Mansell get cosmic and talk to us about the influence of the Moon on their work. We get the inside story on the making of the astounding new documentary ‘Apollo 11’ from its director and the composer of the score, while author Andrew Smith waxes lyrical about his own relationship with the Moon and the music of the era as his must-read book ‘Moondust’ is published in an updated edition.

There are plenty of other heavenly bodies orbiting the pages for you to gaze at, like the preview of Buried Treasure’s Delaware Road festival, The Orb’s Alex Paterson telling us how he made ‘Little Fluffy Clouds’, Clark on his influences, the story of Dutch Beatles sonic cloners The Analogues, Ian Boddy of classy electronic label DiN, newcomers WH Lung and much more. Ready your telescopes!
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Electronic Sound magazine is famed for its deep electronic foundations and sets the scene for Electronic Sound as a culture and a technology. High-quality journalism and undisputed expertise of the scene make this magazine a must read for fans of electronic music.


The latest technology and toy reviews are available in each monthly issue along with a synth analysis used by the early pioneers. Electric Sounds magazine is a plethora of synth knowledge and you’ll love the tips and tricks from the synth wizard, Synthesiser Dave, with a wealth of advice on repairs and fixes for all of your machines.


Offering you a range of popular monthly features; including artist interviews with past pioneers and future hitmakers, a historic look back at key synth sounds and expert tips within the popular tech advice section.


Whether you’re part of the DIY revolution or a trailblazing studio engineer then Electric Sound is talking about the topics that matter to you, so what are you waiting for? Subscribe to Electronic Sound magazine and download the latest magazine to your device and enjoy today!

An Electronic Sound digital magazine subscription is a must for electric music fans of all levels:

  • The world’s number one electronic sound magazine
  • Expert articles from the scenes best pioneers
  • Insight from stars of the culture
  • Detailed coverage of all major events and exhibitions
  • Guides on how to repair your machines
  • Delivered direct to your device every month

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Electronic Sound

It would be good to have sound links to hear clips of tracks. Revisto 30 janeiro 2021

Electronic Sound

Great magazine, thank you Revisto 30 setembro 2020

Electronic Sound

Best coverage for global electronic music releases. My favorite mag. Revisto 05 julho 2020

the best electronic music mag, bar none

It is to all kinds of electronic music, old and new, obscure and well-kent, what the likes of Uncut and Mojo are to trad rock - a high quality print (and online) title, well written and beautifully produced Revisto 15 novembro 2016

The ultimate electronic music magazine

Excellent Revisto 25 agosto 2016

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