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1 Comentários   •  English   •   Art & Photography (Art)
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Editor: Stephanie Britton
What defines what an artist does when they are at work? Do artists actually work in the normal sense of the word, or do they play out their obsessions in various ways? This issue explores the modes in which artists can function - as a solo operator, as a collaborator with one long-term partner, working in various shorter-term groupings, including intensive workshops, bush camps, and guerilla activity. Does the current preoccupation with image-making which requires labour-intensive, repetitive work hint at a loss of old certainties and a return to activities which consume time and involve manual labour? The tension between working in the enterprise bargaining mode and the collective bargaining nature of protocols that have evolved to protect artists from exploitation reflect current debates in the labour market. Artists include Carly Fischer (cover image), Tracey Clement, Leung Mee Ping, Claire Healy & Sean Cordeiro, Daniel Kojta, Guan Wei, Ash Keating, Sarah CrowEST, Meg Keating, Keith Wong, Alan Lukey, Anne Noble, Ros Miller, Wendy Rushby, Matthew Hunt, Culture Kitchen, Taring Padi and Gembel.
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Artlink Magazine

Work Editor: Stephanie Britton What defines what an artist does when they are at work? Do artists actually work in the normal sense of the word, or do they play out their obsessions in various ways? This issue explores the modes in which artists can function - as a solo operator, as a collaborator with one long-term partner, working in various shorter-term groupings, including intensive workshops, bush camps, and guerilla activity. Does the current preoccupation with image-making which requires labour-intensive, repetitive work hint at a loss of old certainties and a return to activities which consume time and involve manual labour? The tension between working in the enterprise bargaining mode and the collective bargaining nature of protocols that have evolved to protect artists from exploitation reflect current debates in the labour market. Artists include Carly Fischer (cover image), Tracey Clement, Leung Mee Ping, Claire Healy & Sean Cordeiro, Daniel Kojta, Guan Wei, Ash Keating, Sarah CrowEST, Meg Keating, Keith Wong, Alan Lukey, Anne Noble, Ros Miller, Wendy Rushby, Matthew Hunt, Culture Kitchen, Taring Padi and Gembel.


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Artlink Magazine  |  Work  


Editor: Stephanie Britton
What defines what an artist does when they are at work? Do artists actually work in the normal sense of the word, or do they play out their obsessions in various ways? This issue explores the modes in which artists can function - as a solo operator, as a collaborator with one long-term partner, working in various shorter-term groupings, including intensive workshops, bush camps, and guerilla activity. Does the current preoccupation with image-making which requires labour-intensive, repetitive work hint at a loss of old certainties and a return to activities which consume time and involve manual labour? The tension between working in the enterprise bargaining mode and the collective bargaining nature of protocols that have evolved to protect artists from exploitation reflect current debates in the labour market. Artists include Carly Fischer (cover image), Tracey Clement, Leung Mee Ping, Claire Healy & Sean Cordeiro, Daniel Kojta, Guan Wei, Ash Keating, Sarah CrowEST, Meg Keating, Keith Wong, Alan Lukey, Anne Noble, Ros Miller, Wendy Rushby, Matthew Hunt, Culture Kitchen, Taring Padi and Gembel.
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Artlink is widely known as a leading contemporary visual art magazine in Australia and the Asia-Pacific region. Each issue creatively explores a theme relevant to contemporary art and culture. Artlink is renowned for its original choice of topics, readability, cutting edge editorial and excellent production values. Articles are written by leading writers, including well-known curators and academics. Artlink is a valuable reference, ideal for artists, students, arts professionals and anyone with a general interest in the visual arts. A key tool for researchers, it is frequently cited as being the publication which best informs readers about current practice in a diverse range of media and each issue is lavishly illustrated with new work by artists and groups. Exhibition and book reviews give a critical view of established and emerging art practice. Back issues are packed with exciting, evergreen debates and research including analysis, commentary, gossip, news and information. Essential for anyone interested in contemporary arts in the Asia Pacific region. Artlink is one of Australia’s longest established art publications. Be surprised and delighted by every new themed issue, masterminded by a range of daring guest editors and enjoy the curiosity and originality in the way contemporary art is represented.

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Great Contemporary visual art magazine covering Australia and Pacific

Great Contemporary visual art magazine covering Australia and Pacific Revisto 19 junho 2020

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