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Dancing Times Magazine January 2020 Edizione posteriore

English
42 Recensioni   •  English   •   Art & Photography (Art)
The start of a new year is a time to take stock of the 12 months gone by, and then start to plan ahead. It’s a theme we explore in this latest issue of Dancing Times, which celebrates achievements already won, and anticipates events in the year ahead. Deborah Weiss, a former dancer with English National Ballet (ENB) when it was known as London Festival Ballet, highlights ENB’s 70th anniversary with a nostalgic article to mark the company’s past and herald its future. In addition, Gerard Charles looks at 100 years of the Royal Academy of Dance; Francis Yeoh assesses the choreographic works of both Mikhail Fokine and Frederick Ashton; Gerald Dowler embarks on a new series covering the history of Soviet ballet from 1961 to 1990; Amanda Hodgson brings to our attention Madame Celeste, a long-forgotten dancer of the 19th century; Marianka Swain takes a view on the most recent season of Strictly Come Dancing, and also informs us about some new dances for the New Year; and Paul Arrowsmith discusses with Nikolai Hübbe, artistic director of the Royal Danish Ballet, how best to preserve the legacy of August Bournonville. All this, as well as our regular features – it should keep you busy reading until February. Happy New Year!
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Dancing Times

January 2020 The start of a new year is a time to take stock of the 12 months gone by, and then start to plan ahead. It’s a theme we explore in this latest issue of Dancing Times, which celebrates achievements already won, and anticipates events in the year ahead. Deborah Weiss, a former dancer with English National Ballet (ENB) when it was known as London Festival Ballet, highlights ENB’s 70th anniversary with a nostalgic article to mark the company’s past and herald its future. In addition, Gerard Charles looks at 100 years of the Royal Academy of Dance; Francis Yeoh assesses the choreographic works of both Mikhail Fokine and Frederick Ashton; Gerald Dowler embarks on a new series covering the history of Soviet ballet from 1961 to 1990; Amanda Hodgson brings to our attention Madame Celeste, a long-forgotten dancer of the 19th century; Marianka Swain takes a view on the most recent season of Strictly Come Dancing, and also informs us about some new dances for the New Year; and Paul Arrowsmith discusses with Nikolai Hübbe, artistic director of the Royal Danish Ballet, how best to preserve the legacy of August Bournonville. All this, as well as our regular features – it should keep you busy reading until February. Happy New Year!


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Dancing Times  |  January 2020  


The start of a new year is a time to take stock of the 12 months gone by, and then start to plan ahead. It’s a theme we explore in this latest issue of Dancing Times, which celebrates achievements already won, and anticipates events in the year ahead. Deborah Weiss, a former dancer with English National Ballet (ENB) when it was known as London Festival Ballet, highlights ENB’s 70th anniversary with a nostalgic article to mark the company’s past and herald its future. In addition, Gerard Charles looks at 100 years of the Royal Academy of Dance; Francis Yeoh assesses the choreographic works of both Mikhail Fokine and Frederick Ashton; Gerald Dowler embarks on a new series covering the history of Soviet ballet from 1961 to 1990; Amanda Hodgson brings to our attention Madame Celeste, a long-forgotten dancer of the 19th century; Marianka Swain takes a view on the most recent season of Strictly Come Dancing, and also informs us about some new dances for the New Year; and Paul Arrowsmith discusses with Nikolai Hübbe, artistic director of the Royal Danish Ballet, how best to preserve the legacy of August Bournonville. All this, as well as our regular features – it should keep you busy reading until February. Happy New Year!
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Dancing Times is Britain’s leading dance monthly. Dedicated to dance since 1910, every issue of Dancing Times is packed with news, reviews and features on ballet, contemporary dance and musical theatre, as well as interviews with dance stars, health and education features, study supplements and our Into Dance section for younger readers.

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I think more contemporary dance reviews and dance artists from this discipline are missing. I love the magazine, it only seems to cover mainly ballet and ballroom. Recensito 15 agosto 2020

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