The Artist  |  November 2016
How to use photos to create very different genres and styles of work in a variety of media is a recurrent theme in this month's issue. Alison Elliott uses them to help her paint realistic animal portraits; Emma Copley as a starting point for thickly painted oil portraits; Paul Talbot-Greaves shows how to paint loose, expressive watercolours from them while Winston Oh reveals his use of a digital camera to capture dramatic skies and David Parfitt demonstrates how to use photos as a reference for larger, studio-based watercolour landscapes. We also include inspirational features on painting a seated figure by Aine Divine, how to improve your figure painting by Ann Witheridge, articles on colour and colour mixing from Paul Riley and Julie Collins, how to find your own style by risking failure by John Owen and an insightful test report on Derwent's Graphic pencils by Ian Sidaway. Robert Dutton encourages you to get outdoors to capture the winter landscape in mixed media and we go behind the scenes and take a peak at the filming of one of the heats of this year's Sky Landscape Artist of the Year series which is about to start on our TV screens....all this and more to keep you inspired over the coming weeks!
Seguir leyendo
leer menos
omo abonado recibirá las siguientes ventajas:
• Un descuento sobre el PVP de su revista
• Su revista en su dispositivo cada mes
• Nunca te perderás un número
• Estás protegido de las subidas de precios que puedan producirse más adelante en el año
Recibirás 12 problemas durante un año The Artist suscripción a la revista.
Nota: Las ediciones digitales no incluyen los artículos de portada ni los suplementos que encontraría en los ejemplares impresos.
Artículos de este número
A continuación encontrará una selección de artículos en The Artist November 2016.