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BALLET2000 English Edition Magazine BALLET2000 n°284 Edición anterior

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This issue’s cover story is dedicated to the great German choreographer Pina Bausch, 80 years on from her birth and 10 from her death, on the occasion of a recent revival – first in Wuppertal, then in London, afterwards on tour – of Blaubart, a work from 1977.
Leonetta Bentivoglio, an unrivalled specialist on Bausch’s oeuvre, discusses Bluebeard and paints a living portrait of Pina’s work. Our cover photo hasn’t been chosen from a selection of a repertoire photos; it’s a photo from Bausch’s final creation, Como el musguito en la piedra, ay, sí sí sí... It was taken in Santiago de Chile in 2009, a few months after the choreographer passed away, by Ninni Romeo, an inspired photographer who was also a devoted friend of Pina and of the Wuppertal company. Smiling and with an impish twinkle in her eye, the dancer strikes an alluring pose: who knows who that coffee is for, or where she is going. This was Pina’s world and perhaps it’s still ours as well in these extraordinary times – twenty years later.
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BALLET2000 English Edition

BALLET2000 n°284 This issue’s cover story is dedicated to the great German choreographer Pina Bausch, 80 years on from her birth and 10 from her death, on the occasion of a recent revival – first in Wuppertal, then in London, afterwards on tour – of Blaubart, a work from 1977. Leonetta Bentivoglio, an unrivalled specialist on Bausch’s oeuvre, discusses Bluebeard and paints a living portrait of Pina’s work. Our cover photo hasn’t been chosen from a selection of a repertoire photos; it’s a photo from Bausch’s final creation, Como el musguito en la piedra, ay, sí sí sí... It was taken in Santiago de Chile in 2009, a few months after the choreographer passed away, by Ninni Romeo, an inspired photographer who was also a devoted friend of Pina and of the Wuppertal company. Smiling and with an impish twinkle in her eye, the dancer strikes an alluring pose: who knows who that coffee is for, or where she is going. This was Pina’s world and perhaps it’s still ours as well in these extraordinary times – twenty years later.


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BALLET2000 English Edition  |  BALLET2000 n°284  


This issue’s cover story is dedicated to the great German choreographer Pina Bausch, 80 years on from her birth and 10 from her death, on the occasion of a recent revival – first in Wuppertal, then in London, afterwards on tour – of Blaubart, a work from 1977.
Leonetta Bentivoglio, an unrivalled specialist on Bausch’s oeuvre, discusses Bluebeard and paints a living portrait of Pina’s work. Our cover photo hasn’t been chosen from a selection of a repertoire photos; it’s a photo from Bausch’s final creation, Como el musguito en la piedra, ay, sí sí sí... It was taken in Santiago de Chile in 2009, a few months after the choreographer passed away, by Ninni Romeo, an inspired photographer who was also a devoted friend of Pina and of the Wuppertal company. Smiling and with an impish twinkle in her eye, the dancer strikes an alluring pose: who knows who that coffee is for, or where she is going. This was Pina’s world and perhaps it’s still ours as well in these extraordinary times – twenty years later.
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