Hey there, bass players! Welcome back to our discussion of musical connectivity. Before we dig into connecting chord tones, I want to take a moment to acknowledge how much I’ve enjoyed connecting with you, the readers of Bass Player. Sharing knowledge with this community has always taken precedent in my life and the opportunity to do so through this publication has been a dream come true.
For two decades, I looked forward to every issue of the magazine, knowing that I would be enamoured by gear, discover new heroes, and acquire many invaluable nuggets of information. As the current medium of BP comes to an end, I would like to thank those who have kept the fire burning for so many years – writers, editors, artists, and subscribers alike. This magazine has served as the keystone for an incredible community of bass enthusiasts, and I’m eternally grateful to have been part of its legacy.