GB
  
You are currently viewing the United Kingdom version of the site.
Would you like to switch to your local site?
Latest Issue


Free Sample Issue
Try a FREE sample of Acoustic
Try a FREE sample

Acoustic Magazine July 2016 Back Issue

English
8 Reviews   •  English   •   Music (Practical & Playing)
I must have been 10, maybe 11 and it was a school concert. Those of us fortunate enough to be having guitar lessons were due to play three pieces to the rest of the school accompanied by our long-suffering but inspiring guitar teacher, Mrs Turner. I can still recall clearly the feeling going to school that day and the excitement and anticipation of what was to be my first ‘gig’. In what was my first encounter with emojis, Mrs Turner had drawn a smiley face on the sheet music alongside the words, ‘Don’t rush and enjoy it!’ Wise words indeed.
Having finished our performance with only minimal slipups, we enjoyed a round of applause from a gathered audience of contemporaries and teachers. Of course, at such a young age, we all felt a massive sense of achievement and accomplishment. I still enjoy playing live to this day, but you never forget your first time.
I’m sure that many readers of Acoustic have, to a greater or lesser extent, played to an audience at some point. It’s generally a largely satisfying experience. All the practice, hard work and investment in time come together and, when it goes well, we can’t take that silly grin of our faces. For some, the adrenalin rush can be addictive, so much so that as soon as one gig is finished, we start looking forward to the next one.
Whether you play live regularly or rarely, can we urge you to get involved in what’s being dubbed the ‘Acoustic Jam’ at this year’s London Acoustic Show? If you’re not already aware, Acoustic columnist, composer and guitarist-extraordinaire Chris Woods has composed a special piece of music designed so that all of us, whatever level our playing is at, can select one of four parts, learn it and be part of a mega-performance on the Saturday afternoon. From page 58 you’ll find the tab, and online there are instructional videos where Chris guides us through the various sections. So, however capable you are as a guitarist, whatever guitar you have, get learning!
read more read less
Acoustic Preview Pages Acoustic Preview Pages Acoustic Preview Pages Acoustic Preview Pages Acoustic Preview Pages Acoustic Preview Pages Acoustic Preview Pages Acoustic Preview Pages

Acoustic

July 2016 I must have been 10, maybe 11 and it was a school concert. Those of us fortunate enough to be having guitar lessons were due to play three pieces to the rest of the school accompanied by our long-suffering but inspiring guitar teacher, Mrs Turner. I can still recall clearly the feeling going to school that day and the excitement and anticipation of what was to be my first ‘gig’. In what was my first encounter with emojis, Mrs Turner had drawn a smiley face on the sheet music alongside the words, ‘Don’t rush and enjoy it!’ Wise words indeed. Having finished our performance with only minimal slipups, we enjoyed a round of applause from a gathered audience of contemporaries and teachers. Of course, at such a young age, we all felt a massive sense of achievement and accomplishment. I still enjoy playing live to this day, but you never forget your first time. I’m sure that many readers of Acoustic have, to a greater or lesser extent, played to an audience at some point. It’s generally a largely satisfying experience. All the practice, hard work and investment in time come together and, when it goes well, we can’t take that silly grin of our faces. For some, the adrenalin rush can be addictive, so much so that as soon as one gig is finished, we start looking forward to the next one. Whether you play live regularly or rarely, can we urge you to get involved in what’s being dubbed the ‘Acoustic Jam’ at this year’s London Acoustic Show? If you’re not already aware, Acoustic columnist, composer and guitarist-extraordinaire Chris Woods has composed a special piece of music designed so that all of us, whatever level our playing is at, can select one of four parts, learn it and be part of a mega-performance on the Saturday afternoon. From page 58 you’ll find the tab, and online there are instructional videos where Chris guides us through the various sections. So, however capable you are as a guitarist, whatever guitar you have, get learning!


SELECT FORMAT:
Instant Access

Available Digital Offers:

Single Digital Back Issue July 2016
 
£1.99 / issue
This issue and other back issues are not included in a Acoustic subscription. Subscriptions include the latest regular issue and new issues released during your subscription and start from as little as
Unfortunately this title no longer publishes new issues. You can still buy back issues, or scroll down to view other titles you might be interested in.
Savings are calculated on the comparable purchase of single issues over an annualised subscription period and can vary from advertised amounts. Calculations are for illustration purposes only. Digital subscriptions include the latest issue and all regular issues released during your subscription unless otherwise stated. Your chosen term will automatically renew unless cancelled in the My Account area upto 24 hours before the end of the current subscription.

Issue Cover

Acoustic  |  July 2016  


I must have been 10, maybe 11 and it was a school concert. Those of us fortunate enough to be having guitar lessons were due to play three pieces to the rest of the school accompanied by our long-suffering but inspiring guitar teacher, Mrs Turner. I can still recall clearly the feeling going to school that day and the excitement and anticipation of what was to be my first ‘gig’. In what was my first encounter with emojis, Mrs Turner had drawn a smiley face on the sheet music alongside the words, ‘Don’t rush and enjoy it!’ Wise words indeed.
Having finished our performance with only minimal slipups, we enjoyed a round of applause from a gathered audience of contemporaries and teachers. Of course, at such a young age, we all felt a massive sense of achievement and accomplishment. I still enjoy playing live to this day, but you never forget your first time.
I’m sure that many readers of Acoustic have, to a greater or lesser extent, played to an audience at some point. It’s generally a largely satisfying experience. All the practice, hard work and investment in time come together and, when it goes well, we can’t take that silly grin of our faces. For some, the adrenalin rush can be addictive, so much so that as soon as one gig is finished, we start looking forward to the next one.
Whether you play live regularly or rarely, can we urge you to get involved in what’s being dubbed the ‘Acoustic Jam’ at this year’s London Acoustic Show? If you’re not already aware, Acoustic columnist, composer and guitarist-extraordinaire Chris Woods has composed a special piece of music designed so that all of us, whatever level our playing is at, can select one of four parts, learn it and be part of a mega-performance on the Saturday afternoon. From page 58 you’ll find the tab, and online there are instructional videos where Chris guides us through the various sections. So, however capable you are as a guitarist, whatever guitar you have, get learning!
read more read less
Acoustic Magazine is the UK's No.1 magazine for acoustic music. It features exclusive interviews with the biggest artists as well as expert columns from respected acoustic musicians. Acoustic Magazine also includes reviews of products and gear ranging from £100 to £20,000 from the world's most well-known brands as well as elite bespoke luthiers and tips, techniques and advice for players for every level. You'll also find advice on purchasing your own acoustic guitar.

As a subscriber you'll receive the following benefits:


•  A discount off the RRP of your magazine
•  Your magazine delivered to your device each month
•  You'll never miss an issue
•  You’re protected from price rises that may happen later in the year

You'll receive 13 issues during a 1 year Acoustic magazine subscription.

Note: Digital editions do not include the covermount items or supplements you would find with printed copies.

Your purchase here at Pocketmags.com can be read on any of the following platforms.


You can read here on the website or download the app for your platform, just remember to login with your Pocketmags username and password.

Apple Pocketmags Online Pocketmags Google Pocketmags
The Pocketmags app runs on all iPad and iPhone devices running iOS 13.0 or above, Android 8.0 or above and Fire Tablet (Gen 3) or above. Our web-reader works with any HTML5 compatible browser, for PC and Mac we recommend Chrome or Firefox.

For iOS we recommend any device which can run the latest iOS for better performance and stability. Earlier models with lower processor and RAM specifications may experience slower page rendering and occasional app crashes which are outside of our control.
4.8
/5
Based on 8 Customer Reviews
5
7
4
0
3
1
2
0
1
0
View Reviews

Play radio ideas

Always full of good and interesting examples Reviewed 23 July 2019

Thoroughly entertaining

Great read for music fans Reviewed 16 July 2019

For all enthusiasts

Great read for all those acoustic fans Reviewed 27 June 2019

Lots of tips

Particularly useful for the beginner Reviewed 30 January 2018

Articles in this issue


Below is a selection of articles in Acoustic July 2016.

Free Sample Issue
Try a FREE sample of Acoustic